killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

coloured vinyl bomb alert! hrdvsions prettier than that is a monster,created by a monster and is perfectly suited for the likes of wagon repair. dim the lights, because when this record drops its going to get freaky! on the flip side, midnight operator (the duo of mathew jonson and hrdvsion) bring the noise! dangerous behaviour rains bass in your face! if you caught their live show on boiler room recently then youll understand. these two are ready to take the dance floors by storm this year - a melding of the analog and digital minds.

next up on fit sound - a split 12 inch that combines the way out sounds of chicago from veteran producer marcus mixx and the modern raw detroit sound from label owner fit, aka aaron fit siegel, whose last release on fxhe has been tearing clubs up world wide!

energy loaded raw techno anthems. kawl them bombs! next installment of the killer kawl series by lee holman brings four menacing tracks of dark edgytechno. kawl 4.0 opens the ep with a looping percussion piece which builds and builds with concussive intent. 4.1 continues with a solid groove, rasping synth stabs and a grotty industrial technoid bassline to devestating effect. kawl 4.2 takes a different route and rhythmically changes direction back and forth, intensifying with precision as the track meanders through to conclusion. the final track of the ep is 4.3, a deeper affair with bursts of white noise, a murky bassline and an emotive hypnotic lead line captivating its way to stunning completion.

2methyl (aka 2methylbulbe1ol) is an up and coming 26 year old audio heavyweight from the east of france. at first a fan of post-hardcore, grindcore and noise rock, his discovery of venetian snares and xanopticon opened new boundaries for him to explore, resulting in his own distinctive, crushing sound. he uses music as a form of narrative, leading dance floors through intriguing cyberpunk, industrial soundscapes. 2methyl s releases to date include 2 ep s on rotator s ruff recordings imprint, and another one on komodo dragon records. he shared stage with eight frozen module, niveau zero, sinister souls, counterstrike, reso, dope d.o.d, luke viber, shitmat.with his new ep on overclockheadz rec., 2methylbulbe1ol dives deeper into his approach of dubstep,a blend of metallic heaviness, mechanic pianos dull melancholia and the humming of sub-bass reminiscing the hyper technological sounds of neuro-funk. 3 dystopian visions of an hyperspace haunted by fantasies of civilization, 3 requiems for mankind sung by orphan automatons. to complete the whole, a stripped-out version of golem by hecq, a mastering by angelos liaros (mobthrow), splendidly-sleeved by the old accomplice okiko.

the analogue project from m.whittaker, one half of demdike stare, comes up with a noise/experimental lp!

the rebirth of cool m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. till the old worlds blown up and a new one is created is an outstanding work of reductionism and minimalism. martin brandlmyar ( radian / trapist / kapitalband 1 ), werner dafeldecker ( polwechsel, david sylvian, autistic daughters) and christian fennesz ( touch / mego / thrill jockey ) on this record created a new kind of cool jazz coupled with a big portion of new york school ( cage, feldman, brown und wolff). its hard to describe the music with words. this work reveals his secrets only after listening to it a couple of times. it grows with each time you listen to it. in this work, silence and noise are never used as an end in itself. as equal parameters they stand in the composition that also has space for some tonal >flower<. our recommended listening time is – round about midnight.

ffresh and dirrty / raw & noise

es gibt bands, die schmecken nach parfümiertem vollbad und stundenlanger session vorm handspiegel. never ever!, rotzen the pet goats. noise und trash sind die einzigen geschmacksverstärker dieser band aus dem angefaulten big apple. gitarren prügeln eine handvoll akkorde zu einem hypnotischen soundteppich. der rhythmus rumpelt, als hätte der schlagzeuger den beat auf den küchengeräten von velvet undergrounds mo tucker gelernt. man muss nicht punk sein, um punkrock zu machen. denn wisse: weniger ist viel mehr, wenn du wirklich was zu sagen hast. kuscheltiere sind the pets goats keine. aber das zeug zur lieblingsband haben sie allemal.

aldo cadiz, one of the most popular producer of south america, meets an italian artist, matthew lima, owner of amazing music. tey started their relationship about 1 year ago, and one of the best score is their next release on carillon records. lluvia de verano is an amazing track, something unusual for carillon and also for this two producer. is a funky and melodic track that make a great atmosphere on the dancefloor. la noise mal is a deep trip, tribal and dark with a great male vocal. de diezmil is the dancefloor killer of the ep, solid and groovy from the first kick. hellow ashley close the release with an hip hop vocal and latin percussions. all the release is massive and you can listen all around the south american influence of this two artists

lunar eclipse is black, dark and deep.its the moon behind the sun. rvds makes another tribute to the tb-303, black vinyl and detroit techno with three tracks: noises in black (vinyl only track) is a symphony,12 minutes of noise, acid and synths,the deep strings in black with heartbreaking chords and finally lunar eclipse,a kind of deep synth-jazz track. limited to 303 stamped and hand-numbered vinyl!since 2005 rvds is a resident dj at the golden pudel club in hamburg. he made support for kyle hall, scott grooves and anthony shakir, which express the love to detroit music. 2011 its realized his debut album “moments with the hit pain, after that came the famous acid moon ep and the label laid realized the famous moon oddity.

the new ep by harmonious thelonious called ting tong ep is ready to be released. its the second record on asafa. this time its getting melodious, especially on track one and four. almost a bit like holger czukays genious song called persian love but without the short waves. the track a.o. seems to play in the jungle (its a street jungle in whereever) and profaner tanz starts with a noise pad and ends with repetitive guitars.

mit >the ghost in daylight<, einem bewegenden und intensiven werk aus traurigen gitarrenklängen und schauererregenden vocals, beendet gravenhurst fast fünf jahre stille. das neue album ist ein düsterer, atmosphärischer ort, beschwörend besungen mit unterschiedlichsten mitteln. gravenhursts musikverständnis wurzelt im melodiösen noise von my bloody valentine, den beeindruckenden vokalhamonien von simon & garfunkel, den alchemistischen gitarren von richard thompson und johnny marr, und den weitsichtigen ambientvisionen von brian eno, perfekt ausgedrückt in zehn wundervollen songs, darunter der ersten auskopplung >the prize<.<br >inklusive code für mp3-download des albums.

so, nang fans, its finally here: the long awaited album by slovenias own sare havlicek, and its a beauty if we say so ourselves! the album, titled >escape machine<, is a direct progression from his most recent run of 12 inches on nang, amalgamating everything we know and love, and a lot, lot more. expect live orchestral sequences, serious analogue heat and the finest vocal arrangements. this is the real deal!

>the great mother down the stairs<, a collaboration between the enigmatic violet poison and fresh italian talent shapednoise (repitch recordings), evokes the spirit of a deathless evil entity relegated in a cellar. a 3-tracker of pure techno evilness pushed to the edges of industrial and extreme noise. a violent post-berghain release for fans of ancient methods, adam-x, orphx and neo-industrial techno. supported by adam-x, shifted, orphx and svreca.
transparent vinyl pressing.

limited white vinyl !!

masami akita and lasse marhaug have been working together since the mid 90ies. the first release on marhaugs (now deleted) label jazzassin records in 1995 was the >first rock< split single. in 2001 merzbow and jazzkammer (marhaugs project with john hegre) released a live album. later, akita and marhaug executed several live collaborations, but often with other artists such as hair stylistics and jim o rourke. in 2010 they finally got together to record as duo. recorded at gok sound studios in tokyo the results can now be heard as >mer mar<.
made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies, >mer mar< is a tour de force for both of these noise veterans, hinting to some classic 80s merzbow jams such as material action.

played by: hernan cattaneo, marco bailey, tassilo, dubfire, monika kruse, pig&dan, davide squillace, troy pierce and many more. now a key member of the sci+tec family, shdwplay aka shoddy lynn and skyler taugher return to the label with their third and possibly strongest release to date, the nerve noise ep.

the grand master form greece throws in all the goodies he has collected in his toolbox, spiced up with slashing white noise, and modulation sounds and nice echoing spaces … mihalis safras has created once again a splendid techno ep.
played by: sian, adam beyer, martin eyerer, dave seaman/ steve parry, steve lawler, taster peter, orde meikle/ slam, max cooper, dubfire, michel de hey, mark reeve, ekkohaus, toni d, intu:itiv, arjun vagale, dj 3000, grunbox, zidan, tom wax ...

next crossfrontier audio release by noone else than duererstuben. with their ambition to create music with mood, soul and character, they show us once again that electronic music can be so much more than white noise filled peak-time explosions. we are extremely happy to show you a different side of crossfrontier audio and welcome the young duo on board with their >shuffins deaf ep<. the perfect record for the last cold winter days, welcoming the spring with open arms.

gamm proudly presents the reflex, a new and rising star within the edit scene. after his edits made big noise on soundcloud they are now finally coming out on two separate gamm releases. note, these are not just standard edits but fully reworked productions using multitracks, original samples and even live elements. the second ep by the reflex delivers three outstanding reworks. first up is a killer stomping breakbeat take on marvins & tammy terrells >aint no mountin high enough<. next is a 60s soul twist on amys >rehab< hit. the best is saved for the last when mavins >whats going on< gets an tasteful beatless rework … simply beautiful!

from rome to glasgow through bavarian lands, analytic trail to forward its last project. the young frankyeffe comes from the success of his releases on labels like: remain records of axel karakasis, naked lunch of a.paul and kombination research of mr. cisco ferreira a.k.a. the advent. riot is the name of this ep made by four tracks, including remixes by harvey mckay and alex bau. first remixer comes from scotland with his debut album, machine make noise and the amazing project nightwalker on soma records. with starting his own label toneman back in 2000 alex bau also started to his soloproductions for labels like chris liebings clr and sleaze records with a great remix by alan fitzpatrick. riot has a straight kick, an obstinate synth reverbered in background and a sereies of short hihats. the track is mostly characterized from continuous aggressive snares that making an hard groove and all is surrounded by a fat bassline, old school techno style.

sonic groove welcomes close friend henning baer to the sg artist roster. henning is one half of the team behind one of berlins most successful techno events - grounded theory. he along with milton bradley also owns the recording label k209 which has released his own solo work. henning makes his debut on sonic groove with >drop out< ep. a stunning 4 song release that spans a wide spectrum of dark, deep, gritty, analogistic industrial techno & rhythmic noise sounds layered over 4/4 and broken beat rhythms.

softwar are 2 body builders from sydney - myles du chateau & jeremy lloyd - and they have finally finished their ep on future classic called > this time around<. as much as we tease softwar at how slow they are they have some pretty serious chops - their debut ep was signed to dj kaos label > jolly jams<, their remix of two door cinema club was hand picked by kitsune, their residence at slow blow at goodgod, sydney has got millions of hot >fashion< girls into deep house and theyve remixed mario & vidis and mitzi - meaning this will be their third appearance on future classic vinyl. >this time around< resonates filtery deep funk, soul and house and we are glad its finally here and not called brown noise

>aspen< is the name of christian loefflers single before his debut album on ki called >a forest<. the name of the single is not to be misunderstood as a dedication to the ski resort in colorado. its rather a dedication to christian loefflers home region in the north of germany. loeffler walked out into the forests near darss, to take field recordings of the trees that commonly grow in that area, which are called >aspen<. the landscape near darss is characterized by signs of storm and rough sea climate, but is also considered as a popular health resort in germany. the tracks on >aspen< create this contrary atmosphere: noise and silence, destruction and peacefulness, electronic sounds and traditional instruments unite in harmony. the cover artwork for >aspen< was taken by christian loeffler himself in the forests of darss.

with former descent, bas welling (neurobit) is taking his music into a new direction. more than the breakcore, noise and digital hardcore he got know for the last couple of years, you can expect some dancefloor friendly electro experiences, weird dubstep like broken beats, phat acidic basslines and some beautiful ambient to end with. this ep is not for the faint-hearted and shows, once again, that anything could happen on the shipwrec label. highly limited to 200 copies!

from the public dance hall to the disco, from the smooch to the shake, fromthe orchestra to the deejay. daniele baldelli remains one of the first italiandeejays, who started his illustrious career back in the 60s and became one ofitalo discos kings of the dancefloor throughout the 70s and 80s. >cosmic disco? cosmic rock!< celebrates a turntable odyssey from a man who lived andbreathed italian disco, american rnb and synth pop and pioneered the soundwhich, with retro chic hindsight, has influenced everyone from i-f, hell, felix, miss kittin & the hacker, marco passarani, tiga, trevor jackson, lindstrom, bochum welt and dopplereffekt amongst many more djs and producerswho have mined the golden age of synth pop for inspiration. featuring rare andhard to find tracks from fra lippo lippi, positive noise, the romantics, labionda, ray parker jnr., thompson twins, martha and the muffins and richard bone, >cosmic disco? cosmic rock!< takes on a dancefloor mission to the shoresof lake garda where from 1979 – 1984 cosmic was the place to be and danielebaldelli was the disco king at its epicentre.

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

saved welcomes hector for the 2nd release of 2012. the mexican artist presents his debut release for the label called l.a kr3w. possessing a disco infused groove, the track advances with drops layered with rocketing white noise and oscillating effects.
over on the b side detroit legend stacey pullen serves up and amazing remix. containing a grooving bass line and some of the original parts the record progresses with intelligent chords and trippy atmospheric layers.

for the final of a season that was once again exploring the limits of party culture, maetrik celebrated an extraordinary energetic state of emergency for more than one hour. the resulting live cd is reflecting that matchless mixture of pumping deep house, energetic soul and adrenaline-enriched noise that maetrik presented already on such renowned labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

mika vainio, currently based in berlin, was one half of the minimal electronic duo pan sonic from finland, (the other half was ilpo väisänen). before starting pan sonic in beginning of the 90 s mika vainio has played electronics and drums as part of the early finnish industrial and noise scene. his solo works, under his own name and under aliases like Ø, are known for their analogue warmth and electronic harshness. be it abstract drone works or minimal avant techno, vainio is always creating unique, physical sounds.

mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

the londinium ep is the latest release on uzuri recordings and welcomes chicago skyway back to the fold. not that hes been away too long, having produced a full 12 release and contributed to the from chicago turin amsterdam & dublin with love ep just last year. we also welcome hakim murphy to the label – with his credentials it was only a matter of time before our paths crossed!as the title suggests, this release was inspired, conceptually at least, by our nations capital, and its apparent that sean has spent quite enough time here to get the gist of the place, with the b-side tracks entitled traffic and noise, respectively. im sure he loves it here, really.musically, he keeps it closer to his windy city heart – very clearly reflecting his roots, in fact. as a dj and club promoter in mid 90s chicago, sean frequently shared the decks with some of the citys biggest talents at that time – cajmere, gene farris and spencer kinsey (gemini) among them, and one could say that theres an audible relief flavour to a-side, london streets, with its stripped-back, hypnotic stomp. its fitting that hakim murphy remixes the track, coming from similar roots within chicagos scene, and his own reworking retains the drawn-out essence of the original but brings a whole new hips-and-shoulders groove to the track.

zond aus melbourne/australien spielen einen experimentalen, minimalistischen rock mit elementen von noise, black metal, shoegaze und doom. eine limitierte vinylauflage mit download code.

the epic journey in the world of techno continues for mkt and his founder markantonio, publishing a new strong tune remixed by two italian artists, luigi madonna and ndkj. first one musically born in the neapolitan school and forge his own sound through markantonios labels getting a great result. andrea quirico a.k.a.ndkj is an established producer which boats a number of successes released by labels like holzplatten, polar noise and his label heatflow.

nice detroit 4 track ep!! but attention: first track, save the bluebird: sounds are very raw and noise with clicks and clacks ... just listen, snippets are directly from vinyl

continuing on his intergalactic journey traversable wormhole now enters into the portal entitled volume 9 >world line< is a hypnotic dark tonal 4/4 deep bass driven affair thatm intensifies in relative velocity as it travels through four dimenisional spacetime. switching back momentarily into the third dimension we enter into >present hypersurface< a punchy percussive broken beat affair layered spacial droning string tones & melodious thick analgous white noise. in question now is if the present is the past and or is the future the present and when if at all does it end?

first time only on decks.de !!! gianluca meloni - ostinate sin (original) - solid track, no mercy, obsessively sinusoidal but with intense harmonic colors growing through infinite, showing gianlucas long experience as musician and producer.
gianluca meloni - ostinate sin (dino sabatini remix) an erupting volcano maybe is the best way to define the crazy rhythmic of this remix, killer dynamics bass frequencies and psicoharmonic filter treatment over noise generated percussions shifting sound perception, to be used with care, to avoid dancefloor explosion!

big vinyl ep on ton liebt klang! full of remixes by felix bernhardt (afulab) and ingo boss (cocoon records).

formerly known as just onze this nice guy now officially uses -rené onze- as his artist name. rené already released an ep on areal records, circle music and remixed for lexy s -chronicles- (mbox001) and pour la vie records. played & supported by dubfire, anderson noise, hugo, paco osuna, broombeck, alex flatner and many more.

we are happy to introduce a brand new act to the scene: dscrd, a young band of five alien electronic music composers from paris, france. in mountain cabins with high range microphones, in dark parisian suburbs with broken synths, and, really lost somewhere in outer space mostly of the time, dscrd have been creating their very own alchemy. this is their debut ep on dement3d records, and it is brilliantly blending techno, dub and ambient-noise with field recordings, dark atmospheres and syncopated rhythms made with poetry and dedication. >this record is a statement, and we are proud to present it as our very first release @ dement3d records.<

limited backstock action !!!

limited edition 10 inch release !! <br< in the dead of winter, i visited nico in his apartment in providence, rhode island. he had just finished composing >dont break my love<, the a-side of his new ep and his first song since space is only noise. he seemed solemn, but i didnt ask why. the next night, i witnessed a rare occurrence: nico dj-ed a small party. we danced all night in a brick-walled loft as snow fell outside...

after his ace remix for nicolas jaar s >space is only noise< here on circus company, our man dave aju is back with an appropriate dose of in-between original music for the fall season. taken from his upcoming album project that uses vintage inherited recordings as sound sources, >all together now< is a beautifully unique track that is guaranteed to move people with its irresistible groove. indeed, the aptly titled jam brings together and bridges gaps of various kinds, from lo-fi and hi-fi to under water and outer space, with classic-flavored dynamic percussive elements, spiraling futuristic leads, and melodic synth work sprinkled with aju s distinctive voice, encouraging us to join in on the live collective claps that accent the cut. the building bass pulses and warm instrumentation stack up toward the ceiling, until a fresh breakdown spreads things out to release the pressure. amsterdam don san proper brings an equally unique and refreshing remix to the table, with a rugged take on the track complete with cool guitar licks, modular effects, and contrasting additional vocal stylings. similarly dynamic in the drum workout department but with an extra rawness, it is a fantastic complement to the original that rounds out the release perfectly.

its already about ten years since we started with our first vinyl releases in 2001 including music from plastique, telly quin and mr.clean, time is running and 3 more sublabels and about 35 vinyl releases later it is time to celebrate the first decade … we are looking back to a steady upgrowing music-development, successful parties, live performances and an upbuilding artist collective.the first part of the anniversary compilation presents a variation of different dub house tracks, several are more deep, others are more massy. some remembers to the 90s us house era. including music from dub taylor (eintakt, dirt crew), olivier girardot (ogmusic, arte), lohouse (talk dirty production) and fingers in the noise (deepindub) the eintakt 00 compilation is an unique peace of jewelry, diversified and also a versant device. second part of the anniversary (will come out in december) includes music from neal white, ghettozoid (bekeschus edit), reynold, gunnar hemmerling and telly quin. the 10 years eintakt anniversary vinyl compilation will be limited to 200 copies. feel good!

droid resident artists david flores (audio injection / truncate) and vangelis + vidal vargas (raiz) combine their production elements on the degrees of motion ep. david has been burning up the industry charts with his latest raw vibe alias truncate. the spring/summer season in europe would have been quite silent had it not been for the phrases concentrate and focus. with releases and remixes on enemy, modularz and his own truncate imprint, david has enjoyed strong support from renowned acts dettmann, klock, luke slater, chris liebing, speedy j, dvs1 and countless others. the members of raiz, vangelis and vidal vargas, have also been making waves with their work on historia y violencia, silent steps, gynoid, and droid. on this collaboration david and the vargas brothers combine the dry and groovy tool perfection of truncate with the concept and sense of depth raiz has been developing over the last year. the result is a series of 3 flawless tracks exemplifying the degrees of motion. inertia builds the ep with heavy drum programming and warm pad work. flux takes the energy up a notch with hard swing percussion, sharp analog noise and arctic synthesis. jude law leaves his seed. rhythm completes the cycle with a deeply grounded pulse, accented by an enigmatic call to consciousness and presence. degrees of motion is a solid showcase of this production teams potential.